Kaplanoğlu, L. 2023. Animation cinema, which has an important place in terms of film history, is a quantitatively important point through different subjects and different techniques, especially in films whose target audience is children. Animated movies offer a wide variety of opportunities for designing characters and worlds. A good animated film offers the freedom to tell a story full of fantasy elements while using a design that is realistic enough to make the viewer feel like that world. Design-wise, animated films have unlimited creative potential and can therefore become great works of art. In terms of perception management, animated films are effective in directing the expectations and emotional reactions of the audience. The design of the characters and worlds can set the tone of the movie and what audiences can expect from it. Animated films can also address themes belonging to different cultures and contribute to the perception of these cultures. For example, a Japanese anime movie contains many elements of Japanese culture and can give viewers an understanding of Japanese lifestyle and values. Animated films, which have unlimited creative potential in terms of design, can be effective in directing the expectations and emotional reactions of the audience. In this study, the relationship between perception design and semiotics of Elsa, one of the animated films, was questioned. In this framework, first of all, animation films were briefly discussed in the context of perception design, and then the analysis of the film, based on semiotic methodology, was examined according to Greimas's actative example.. Avrasya Sosyal ve Ekonomi Araştırmaları Dergisi , vol.10, no.3 , 301-312.

Kaplanoğlu, L., (2023). Animation cinema, which has an important place in terms of film history, is a quantitatively important point through different subjects and different techniques, especially in films whose target audience is children. Animated movies offer a wide variety of opportunities for designing characters and worlds. A good animated film offers the freedom to tell a story full of fantasy elements while using a design that is realistic enough to make the viewer feel like that world. Design-wise, animated films have unlimited creative potential and can therefore become great works of art. In terms of perception management, animated films are effective in directing the expectations and emotional reactions of the audience. The design of the characters and worlds can set the tone of the movie and what audiences can expect from it. Animated films can also address themes belonging to different cultures and contribute to the perception of these cultures. For example, a Japanese anime movie contains many elements of Japanese culture and can give viewers an understanding of Japanese lifestyle and values. Animated films, which have unlimited creative potential in terms of design, can be effective in directing the expectations and emotional reactions of the audience. In this study, the relationship between perception design and semiotics of Elsa, one of the animated films, was questioned. In this framework, first of all, animation films were briefly discussed in the context of perception design, and then the analysis of the film, based on semiotic methodology, was examined according to Greimas's actative example.. Avrasya Sosyal ve Ekonomi Araştırmaları Dergisi , vol.10, no.3, 301-312.

Kaplanoğlu, Lütfü. "Animation cinema, which has an important place in terms of film history, is a quantitatively important point through different subjects and different techniques, especially in films whose target audience is children. Animated movies offer a wide variety of opportunities for designing characters and worlds. A good animated film offers the freedom to tell a story full of fantasy elements while using a design that is realistic enough to make the viewer feel like that world. Design-wise, animated films have unlimited creative potential and can therefore become great works of art. In terms of perception management, animated films are effective in directing the expectations and emotional reactions of the audience. The design of the characters and worlds can set the tone of the movie and what audiences can expect from it. Animated films can also address themes belonging to different cultures and contribute to the perception of these cultures. For example, a Japanese anime movie contains many elements of Japanese culture and can give viewers an understanding of Japanese lifestyle and values. Animated films, which have unlimited creative potential in terms of design, can be effective in directing the expectations and emotional reactions of the audience. In this study, the relationship between perception design and semiotics of Elsa, one of the animated films, was questioned. In this framework, first of all, animation films were briefly discussed in the context of perception design, and then the analysis of the film, based on semiotic methodology, was examined according to Greimas's actative example.," Avrasya Sosyal ve Ekonomi Araştırmaları Dergisi , vol.10, no.3, 301-312, 2023

Kaplanoğlu, Lütfü. "Animation cinema, which has an important place in terms of film history, is a quantitatively important point through different subjects and different techniques, especially in films whose target audience is children. Animated movies offer a wide variety of opportunities for designing characters and worlds. A good animated film offers the freedom to tell a story full of fantasy elements while using a design that is realistic enough to make the viewer feel like that world. Design-wise, animated films have unlimited creative potential and can therefore become great works of art. In terms of perception management, animated films are effective in directing the expectations and emotional reactions of the audience. The design of the characters and worlds can set the tone of the movie and what audiences can expect from it. Animated films can also address themes belonging to different cultures and contribute to the perception of these cultures. For example, a Japanese anime movie contains many elements of Japanese culture and can give viewers an understanding of Japanese lifestyle and values. Animated films, which have unlimited creative potential in terms of design, can be effective in directing the expectations and emotional reactions of the audience. In this study, the relationship between perception design and semiotics of Elsa, one of the animated films, was questioned. In this framework, first of all, animation films were briefly discussed in the context of perception design, and then the analysis of the film, based on semiotic methodology, was examined according to Greimas's actative example.." Avrasya Sosyal ve Ekonomi Araştırmaları Dergisi , vol.10, no.3, pp.301-312, 2023

Kaplanoğlu, L. (2023) . "Animation cinema, which has an important place in terms of film history, is a quantitatively important point through different subjects and different techniques, especially in films whose target audience is children. Animated movies offer a wide variety of opportunities for designing characters and worlds. A good animated film offers the freedom to tell a story full of fantasy elements while using a design that is realistic enough to make the viewer feel like that world. Design-wise, animated films have unlimited creative potential and can therefore become great works of art. In terms of perception management, animated films are effective in directing the expectations and emotional reactions of the audience. The design of the characters and worlds can set the tone of the movie and what audiences can expect from it. Animated films can also address themes belonging to different cultures and contribute to the perception of these cultures. For example, a Japanese anime movie contains many elements of Japanese culture and can give viewers an understanding of Japanese lifestyle and values. Animated films, which have unlimited creative potential in terms of design, can be effective in directing the expectations and emotional reactions of the audience. In this study, the relationship between perception design and semiotics of Elsa, one of the animated films, was questioned. In this framework, first of all, animation films were briefly discussed in the context of perception design, and then the analysis of the film, based on semiotic methodology, was examined according to Greimas's actative example.." Avrasya Sosyal ve Ekonomi Araştırmaları Dergisi , vol.10, no.3, pp.301-312.

@article{article, author={Lütfü KAPLANOĞLU}, title={Animation cinema, which has an important place in terms of film history, is a quantitatively important point through different subjects and different techniques, especially in films whose target audience is children. Animated movies offer a wide variety of opportunities for designing characters and worlds. A good animated film offers the freedom to tell a story full of fantasy elements while using a design that is realistic enough to make the viewer feel like that world. Design-wise, animated films have unlimited creative potential and can therefore become great works of art. In terms of perception management, animated films are effective in directing the expectations and emotional reactions of the audience. The design of the characters and worlds can set the tone of the movie and what audiences can expect from it. Animated films can also address themes belonging to different cultures and contribute to the perception of these cultures. For example, a Japanese anime movie contains many elements of Japanese culture and can give viewers an understanding of Japanese lifestyle and values. Animated films, which have unlimited creative potential in terms of design, can be effective in directing the expectations and emotional reactions of the audience. In this study, the relationship between perception design and semiotics of Elsa, one of the animated films, was questioned. In this framework, first of all, animation films were briefly discussed in the context of perception design, and then the analysis of the film, based on semiotic methodology, was examined according to Greimas's actative example.}, journal={Avrasya Sosyal ve Ekonomi Araştırmaları Dergisi}, year=2023, pages={301-312} }