Reflektif Sosyal Bilimler Dergisi, cilt.6, sa.2, ss.387-393, 2025 (Hakemli Dergi)
This article investigates how Doreen Massey’s concepts of A Global Sense of Place and Geographies of Power can be applied to
Zadie Smith’s White Teeth (2000) to analyze the dynamic construction of locality in multicultural London. By depicting intersecting
lives across ethnic, cultural, and generational divides, Smith’s novel presents London as a fluid and contested space shaped by global
migration, history, and power flows. The study examines how the novel translates the city’s audiovisual textures—urban landscapes,
voices, and cultural signifiers—into narrative form. Massey’s framework enables a reading of White Teeth where locality is viewed
not as fixed or nostalgic, but as a site of mobility, interaction, and conflict. This approach emphasizes how Smith’s portrayal of North
London captures the complexities of globalization and redefines the literary representation of place.