This research is a summary of the existence, transformation and development of the concept of intertextuality in the contemporary photographic art, which has been talked about in recent years in post-modern thought. In the context of this study, reflections of intertextuality on the photography art is investigated. Italian contemporary photographer Ugo Mulas, who use intertextual approach successfully in photography, has been examined
through his works, especially “Verifications” photography series. Mulas’s intertextual transactions, that he used his works, are explained and his works are analyzed in terms of context and style.