The tradition of playing and singing has an important place in the performance of folk  music.  Performers raised in line withthe tradition of playing and singing such as minstrels, local artists and zakirs are important culture transmitters. Although the word is at the forefront, the instruments used for accompaniment have also taken their place in the performance tradition. Considering the geography of Turkey, it is seen that the baglama is widely used to accompanythe lyrics. For this reason, this instrument has also played a role in cultural transmission. In addition, the playing styles of the bağlama have also had an effect on the emergence of the musical  identity  of  the  performed  work.  When  the  literature  is  examined,  it is  seen  that there  are not  enough  studies  on how  the bağlama accompanies the lyrics during playing and singing. These reasons were effective in the emergence of the research topic. In the study, the use of the baglama as an accompaniment instrument during playing and singing was tried to be understood through the examples of Ali Ekber Çiçek and Neşet Ertaş. These two performers were chosen because they come from two different performance cultures. Thus, it was thought that the analysis would be more comprehensive. While reaching the data in the study, a qualitative-descriptive research process was carried out by examining the studies on the subject. The performances of the sample pieces were accessed digitally and the pieces were notated over theserecordings. The analyses were made on these notes and the study was limited to one piece sample from each of the two performers. In the analysis, the rhythmic, melodic and harmonic uses of the bağlama accompaniment were analysed. In addition, right and left hand playing techniques in bağlama performance were also tried to be determined.