Yegah Musicology Journal, cilt.8, sa.3, ss.2165-2177, 2025 (Scopus)
The violin is a versatile instrument that has been incorporated into works across a variety of musical genres, adapting to changing musical tastes and trends throughout history. Its extensive repertoire, spanning from the Baroque period to the present day, demonstrates the technical capabilities of the violin, as well as its ability to adapt to the stylistic characteristics of different periods. The contemporary repertoire that emerged in the mid-20th century significantly expanded the technical boundaries of the violin, and composers producing works in this field began to demand performances that were outside the norm from performers. This repertoire marked a shift away from the traditional tone-centred approach, embracing alternative forms of expression that transcended the boundaries of the classical violin repertoire. It incorporated novel and innovative techniques, pushing the boundaries of traditional performance practices. The formal structure of works from this period, the diversity in notation, and the focus on the essence of sound and timbre have made this repertoire an intriguing and worthy area of study for both performers and researchers. The objective of this study is to provide examples of the unique characteristics and technical innovations offered by the contemporary repertoire and to encourage performers to observe the differences in the violin repertoire of the contemporary period. The study’s primary objective is to serve as a model observation area for violinists seeking to interpret contemporary works.