Malāmat and the Ethics of Invisibility: Mysticism, Poetic Witnessing, and Moral Critique in Late Modernity


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HARMANCI M. E., HARMANCI M.

Religions, cilt.17, sa.4, 2026 (AHCI, Scopus) identifier identifier

  • Yayın Türü: Makale / Tam Makale
  • Cilt numarası: 17 Sayı: 4
  • Basım Tarihi: 2026
  • Doi Numarası: 10.3390/rel17040481
  • Dergi Adı: Religions
  • Derginin Tarandığı İndeksler: Arts and Humanities Citation Index (AHCI), Scopus, ATLA Religion Database, Index Islamicus, Linguistic Bibliography, Directory of Open Access Journals
  • Anahtar Kelimeler: ethical selfhood, ethics of invisibility, Islamic ethics, late modernity, malāmat, moral subjectivity, mysticism, Ottoman poetry, sufism, visibility regimes
  • Açık Arşiv Koleksiyonu: AVESİS Açık Erişim Koleksiyonu
  • Yıldız Teknik Üniversitesi Adresli: Evet

Özet

This article reconceptualizes malāmat not as a marginal Sufi discipline but as a distinct ethical paradigm that redefines the relationship between selfhood, action, and moral legitimacy. Situating the discussion within late-modern conditions shaped by technological mediation, algorithmic evaluation, and regimes of visibility, it argues that ethical value has increasingly been externalized through performance, recognition, and quantifiable outputs. Against this background, malāmat is examined as an alternative ethical model grounded in inward vigilance, relational practice, and the deliberate concealment of virtue. Drawing on early Malāmatī texts—particularly al-Sulamī—and their later elaboration in Ibn Arabī, the study demonstrates that ethical subjectivity is constituted through continuous self-critique and responsibility before the Divine rather than through public validation. The argument is further developed through a comparative engagement with Aristotle, Kant, Kierkegaard, and MacIntyre. It shows that, unlike these frameworks, malāmat sustains ethical life as an ongoing tension rather than a state of equilibrium or a universalizable norm. The article also highlights the role of classical Turkish and Persian poetry—especially Fuzûlî, Nâbî, and Şeyh Gâlib—in articulating malāmat as a lived ethical sensibility. Ultimately, the study proposes malāmat as a critical counter-model to contemporary regimes of visibility, offering an ethics grounded in inwardness, concealment, and irreducible personal responsibility.