Constructions of Femininity in Nationalist Women’s Literature during the Transition from the Empire to the Republic: Novels by Halide Edib Adıvar and Müfide Ferit Tek (1912–1924) İmparatorluk’tan Cumhuriyet’e Geçiş Döneminde Milliyetçi Kadın Yazınında Kadın Kurguları: Halide Edib Adıvar ve Müfide Ferit Tek Romanları (1912-1924)


DOĞAN S. N.

Yakin Donem Turkiye Arastirmalari, cilt.2025, sa.47, ss.243-267, 2025 (ESCI) identifier

  • Yayın Türü: Makale / Tam Makale
  • Cilt numarası: 2025 Sayı: 47
  • Basım Tarihi: 2025
  • Doi Numarası: 10.26650/yta2025-1523222
  • Dergi Adı: Yakin Donem Turkiye Arastirmalari
  • Derginin Tarandığı İndeksler: Emerging Sources Citation Index (ESCI), Scopus
  • Sayfa Sayıları: ss.243-267
  • Anahtar Kelimeler: Constructions of Femininity, Halide Edib Adıvar, Müfide Ferit Tek, Turkish Nationalism, Women’s Literature
  • Yıldız Teknik Üniversitesi Adresli: Evet

Özet

This study aims to explore the constructions of femininity and their subsequent transformations in the nationalist women’s literature during the transition from the Empire to the Republic by focusing on the novels of two nationalist female authors —Halide Edib’s New Turan (Yeni Turan, 1912), The Shirt of Flame (Ateşten Gömlek, 1922) and Strike the Whore (Vurun Kahpeye, 1923), and Müfide Ferit’s Aydemir (1918) and Propellers (Pervaneler, 1924). Locating women as central figures in the nationalist projects, these novels point at a diversity of roles assigned to women, and the limitations of their participation as well as the extraordinary circumstances required to transcend them. Female characters are situated within delicate balances —between tradition and modernity, East and West, freedom and virtue—and are often depicted as detached from other women and familial ties to preserve these balances. Such constructions allowed the authors to portray female protagonists as saviors, theorists and inspirational sources of the nationalist movement, engendering a literary space of freedom and agency for women. The Republican novels, Strike the Whore (Vurun Kahpeye) and Propellers (Pervaneler), however, hint at the closure of that space, and the employment of a different discourse on women within state-based/post-independence/ post-colonial nationalisms.